Author: Marko
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Dob’r Bob’r, Ljubljana
First time at Harat’s Pub, working with Dob’r Bob’r Band on a Saturday evening. I didn’t quite know what to expect, but I was there to support friends and photograph a fun band project that had been in my calendar for months. No tickets at the door, but one look around the room said it…
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Slow Monkeys, Ptuj
My second show with Slow Monkeys, this time on a bigger stage, supporting Joker Out at Arena Campus Sava. Lucija Remic on vocals, Jure Kropec and Tadej Cizej on guitars, Žiga Hrup on bass, Bor Lebič on drums, and Gašper Repše on keys make for a fun and promising group of young musicians. Hope to…
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Gliste, Gala Hala
The show I’ve been looking forward to since Episode 1 of my newsletter – Gliste. Tackling a packed Gala Hala with a broken pinky isn’t ideal, but such is life. My first gig with the band, not knowing what to expect, I went in excited. Friday, 11 PM, and 30 minutes of something special turned…
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Ardnamurchan 10yo, Dramface #36 & Jack Black
If you ask me about whisky, I’ll be the first to admit I know very little. I enjoy it, though, and the more I explore, the deeper my fondness for the water of life gets. Don’t worry, this won’t turn into poetry. I’m also writing this sober, quietly pondering which bottle I should uncork. Last…
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Do you have the Panettone yet?
A question I usually start asking sometime in September, fully aware that we’re still months away from that dangerously good pastry from the heart of Sicily. My name is Marko. I’m a friend of Raw Pasta. And my favourite Panettone of 2025 was Apple, Cinnamon & Almonds. I’m still mildly upset I only bought one.…
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Jošt Lampret & Big Band RTV, SiTi Teater
My first show of the year, this time purely as a fan with a camera. From “the curtain has fallen” to a sold-out evening with Jošt Lampret and the Big Band RTV Slovenija, joined by Veronika Kumar on vocals and Gaj Boštic on drums, under the direction of Tadej Tomšič. One of those shows you…
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When helping out gets expensive
A scenario I’ve lately run into more than once goes something like this: A client reaches out. They want me to shoot a concert, event, some portraits, etc. I’m already booked or unavailable. Instead of immediately declining, I do what I consider a decent thing: I’ll recommend and reach out to a photographer I trust.…




